Hell, you can even put your sound recordist right in the frame for better audio quality if you want.

However, if you captured your shot on a steady tripod, you can perform this little trick work without a whole lot of work. If there's a lot of camera/subject movement in your shot, you're going to have to go through the whole keyframe/mapping rigmarole, and that's only if this technique is even doable. The thing is-it may not work as well or as easily with a moving frame. You can also add some feathering if you need to hide any visible seams. For audio, distance does not exactly degrade audio, it changes the ratio of direct to re. You can also screw a clear filter on the lens and smear Vaseline on it, or all manner of crud to degrade acuity. However, as Hammond demonstrates in the video, it can totally be used for more practical cinematic applications as well.Īll you have to do is go into your NLE, stack a duplicate of your clip on top of the original in the timeline, find a section of the duplicate that doesn't contain the boom mic, and then draw a mask around the offending mic in the original. Answer (1 of 3): As already mentioned, you can mess up all sorts of parameters with a camera.

Many of you might be familiar with this technique already and have used it for quick and easy VFX gags.

How to make mic